You possibly can’t mount a cinema digital camera on a Method One race automobile. These nimble automobiles are constructed to express specs, and capturing racing footage from the motive force’s viewpoint isn’t so simple as slapping a GoPro on and calling it a day. That’s the problem Apple confronted after Joseph Kosinski and Claudio Miranda, the director and cinematographer of the upcoming F1 Apple Unique, needed to make use of actual POV racing footage within the movie.
Should you’ve watched a Method One race currently, you’ve got in all probability seen clips that present an angle from simply behind the cockpit, with the highest or facet of the motive force’s helmet within the body. Captured by onboard cameras embedded within the automobile, the ensuing footage is designed for broadcast, utilizing particular shade areas and codecs. Changing it to match the look of the remainder of the F1 movie can be too difficult to be possible. As a substitute, Apple’s engineering workforce changed the published module with a digital camera composed of iPhone components.
Customized Digital camera
{Photograph}: Julian Chokkattu
{Photograph}: Julian Chokkattu
The module appears to be like nothing like an iPhone. It deliberately resembles the published digital camera module, and Apple even needed to match the burden in order that its model would not alter a automobile’s specs. The within, nevertheless, is totally totally different. (Apple gave us a peek during WWDC last week alongside an F1 automobile.)
On the coronary heart is an iPhone digital camera sensor powered by an A-series chip. Apple did not specify the precise sensor or chipset, however these have been used for a number of vehicles in actual F1 races all through the 2023 and 2024 seasons, so there’s an opportunity it was the identical A17 Professional and 48-megapixel main digital camera within the iPhone 15 Pro. It additionally contained an iPhone battery and a impartial density filter over the digital camera to scale back the sunshine coming into the lens, giving movie editors extra management over publicity.
Nobody expects an iPhone digital camera to carry out flawlessly at unbelievable speeds or excessive situations, so the engineering workforce needed to think about this issue. They examined the digital camera module to make sure it might endure excessive shock, vibrations, and warmth—it supposedly surpassed the specs offered by Method One.
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Julian Chokkattu
The module ran iOS however had a customized firmware for the digital camera. The movies have been captured in log format with Apple’s ProRes lossless video codec, delivering footage that appears flat however offers the editors rather more granular management to paint grade and match the visuals with the remainder of the movie. This tradition firmware inevitably led to 2 new options within the iPhone 15 Pro: log encoding and help for the Academy Coloration Encoding System (ACES) shade workflow.
Since there are not any radios within the module, a customized iPad app was the one method the filmmakers might make on-the-fly modifications to the digital camera. As soon as linked by way of USB-C, they might modify issues like body price, publicity achieve, shutter angle, and white steadiness. That is additionally the place they’d hit report to start out or cease recording. The footage captured with the module is sprinkled throughout the F1 film.
